Say hello to Mulholland Distilling, a new spirits company based in the heart of Downtown Los Angeles. We're proud to be one of the first spirits brands in the city since Prohibition. We are a collective of native Angelenos and creative pioneers who strive to inspire and encourage the artists, the thinkers, and the visionaries to unleash their own Spirit of Los Angeles. We look forward to grabbing a drink with you sometime soon.
58 Views 59 Views 2 Views 2 Views 2 Views 2 Views 2 Views
2 Views 3 Views 2 Views 2 Views 2 Views 0 Views 0 Views

Your only news source for all things on actor Walton Goggins.

Category: Articles

First look at Venus Van Dam’s return to ‘Sons of Anarchy’ — No matter how dark things get on FX’s Sons of Anarchy, just remember that Venus Van Dam is on the way. The transgender escort played by Justified‘s Walton Goggins makes her return in the Sept. 30 episode when SAMCRO, in need of information, pays her a visit. As fans know, the cast lights up any time her name is mentioned, and Goggins feels that each time he steps on set.


“I really do, and it’s weird. Because I personally, Walton Goggins, don’t feel that—I feel it as Venus,” he says. “Venus feels it and recipocates that with her boys—all the guys on the show. She just considers them brothers, like seeing family that she hasn’t seen in a while. They’re so kind and so gentle to Venus. It’s so refreshing. There’s no competition, there’s just enjoyment on all sides.”

Venus, who was introduced in season five and returned in season six, will also appear in the final ride’s 10th episode. As creator Kurt Sutter told EW, “We find out what’s been going down off-screen between Venus and Tig [Kim Coates]. It’ll be our love story for the season.”

Walton Talks Venus’ Major Comeback with TVLine & TVGuide

Check out what Walton had to say about the more serious side of his Sons of Anarchy alter-ego, Venus Van Dam!

TVLine: Venus’ story was much more serious this time around. Was the energy on set different than it was last season?
Yeah, it was. First and foremost, it was more than just one day; it took place over the course of three weeks because it was two episodes. Sustaining that and living in that headspace was a little more challenging — for myself as much as it was for my wife! [Laughs] She kept saying, ‘Where are my shoes?’ Both Kurt [Sutter] and I weren’t interested in repeating what we’d done last season and it would have done a disservice to Venus. If we were going to do it again, we wanted to see another side of her and to see the tragedy in her life and the pain that she’s been living with — and also how that can impact the larger story that is Sons of Anarchy. So, I was just over the moon with what Kurt and his writers came up with. I’m a new parent, I have a three-year-old son, and regardless of your sexual orientation, the idea of having to hide who you are or not to participate in the things that I’ve been able to participate in as a parent? It’s heartbreaking. It was very personal to me and very personal to Kurt. We both are in love with her. I don’t stop thinking about Venus, and as soon as I took those high heels off, I wanted to put them right back on. She’s a very courageous, very flawed, very strong woman — or let’s shoot right past that and say [that she’s a strong] person in the world.

You share such incredible chemistry with Kim Coates. How did the Venus/Tig relationship come to fruition?
First off, I’m such a fan of Kim Coates. Everything he does is grounded in reality and he’s such a good actor that it was a pleasure to have these discussions before [we shot] and to really talk about, ‘What is this? Really, what is this?’ What I was so surprised about was that there was no sexuality in that moment at all. He was putting his arm around a person and comforting that person when they needed to be comforted. It takes a lot to earn that and I thought what Kim did there was amazing. Now, I don’t know what happens when they go home! That’s another episode. [Laughs] But in that moment it was not about Venus Van Dam as a transgender and Tig as a biker; it was about two human beings that are looking at this very difficult situation and one supporting another. It’s beautiful. [Continue Reading]

TVGuide: This episode required a much different performance than last time. What was that like for you?
I think the most important thing is seeing past just what she does for work. I liked piercing the veil of who this person is outside of what she does for a living. When she goes home at night, what’s that like? What are the regrets in her life? And how has she dealt with those and how have those regrets reverberated throughout her life? What I was so excited about when I got the script was how immediate this situation had come up in her life and she really had nowhere else to turn. And for a woman who, more often than not, has the answers, she only had questions and she didn’t quite know what to do.

And it wasn’t just cold-blooded murder. She was trying to spare her son the same horror she went through.
It’s a matter of breaking the cycle. And sometimes breaking the cycle of violence requires an act of violence. Hopefully on the other side of that, once you cross that rubicon, you walk in greener pastures. I think that’s what it was like for Venus. She’s eternally grateful for Jax for doing something that she could never do. It solves a lot of problems. It solves more problems than it creates.

So. is this the last we’ve seen of Venus?
[Laughs] I wouldn’t be surprised if you saw her again. We’ll see what happens to Jax and all the boys and how these stories intersect. I wouldn’t think it out of the realm of possibility.[Continue Reading]

Justified Season 4 Finale Post Mortem – Index Post

Check out snippets of what Justified show-runner Graham Yost had to say about the season four finale and what’s to come in season 5! Plenty more under the cut!

They show up to the spot and find police have already found the body. Instead of leaving, Boyd goes up to talk to Officer Mooney (William Gregory Lee), which I thought was a surprising choice.
He’s Boyd. They can’t arrest him for just driving. So he’ll just go up. His relationship with Mooney has been on and off. It seemed like a smart way for him to find out more.

Boyd then decides to use Mooney and Lee Paxton (Sam Anderson), whose funeral home serves as storage for law enforcement, to help him switch bodies so it’s not Delroy’s body that was found.
That came out of the room. What would Boyd try to do? Okay, so, they’ve got Ellen May, she could testify, but if they don’t have a body, then the case might fall apart. So let’s take care of the body and get it out of there. We can’t? Okay, where is it? We’re still not done yet. It’s just that Boyd sense of he’ll always keep working a problem until it’s absolutely impossible to do so. And believe you me, at the beginning of next season, we’re gonna see him continue to work the problem. How can he get Ava out of jail? And what will he do in order to accomplish that?

Boyd and Jimmy digging up the grave for a replacement body was a surprisingly fun scene with Jimmy falling through the coffin.
Those guys in a graveyard at night, in a potter’s field, digging up a corpse, stuff comes up. I don’t know exactly the origin of Boyd’s run about who that is in the ground. The little behind the scenes thing is Jesse Lukens, on one take, when his foot went through, he actually damaged his foot quite badly. At the cast party, he was on crutches. He was in real pain. But we use that on Justified — if a character’s in real pain, we use it.

While that’s happening, Boyd is driving Raylan to the airport for the meeting. That’s another crucial scene that’s all dialogue.
That scene had a lot of talk between the writers, and Tim, and Walton. What can we get out of here? Tim is always interested in being clear that Boyd is a bad guy, but as he basically says, “You’re a white supremacist, you’re leading a church out in the woods. Who are you, and what do you really believe in? So if you say you love this woman [Ava], how is that different from all the other stuff that you’ve said?” Of course, Boyd maintains that it is different. We wanted to play up that dynamic, and then the whole notion of Boyd going at Raylan is something that we’d established pretty nicely in the opening of episode 10 when he says, “Raylan, you are an asshole, you should have been an outlaw.” And that just goes back thematically to Raylan and Arlo: Who is Raylan? How much is he like Arlo? Is he really just Arlo with a badge?

Continue reading over at EW.COM

Continue reading

‘Django Unchained’ Stars Washington, Waltz, and Goggins Dish on the Western

Among all the sci-fi and superhero hoopla of San Diego Comic-Con, it was a western that caused one of the most formidable stirs in Hall H. However, Django Unchained, the latest film from cinephile-turned-master-director Quentin Tarantino, is no ordinary western. Having spoken with the unique film’s star Jamie Foxx, it seemed only sporting to reload questions and see how quick on the draw Christoph Waltz, Kerry Washington, and Walton Goggins could be in the post-panel roundtable interviews.

Walton Goggins: “I got down to New Orleans and started bonding with some of the guys, some of the black actors. We started hanging out, had a lot of friends in common. And then comes your first day of work, and…you have to say these things and do these things. While liberal Walton didn’t have anything to apologize for, I began every take with an apology. These are my friends. It’s not easy — it’s awful to say these things. But you’re in the service of something much greater than yourself. You’re telling a piece of history that is the biggest blight on our history as a country. It needs to be retold, and I’m a part of that.”

The western is one of the oldest genres in cinema, it means different things to different people, and the cast of Django Unchained certainly runs the entire spectrum with their feelings on the subject.


BACKSTAGE Roundtable With Seven Stars Who Had an Emmy-Worthy Year

Walton and Martha, you were both first-time Emmy nominees last year. How did you get the news of your nomination?

WALTON GOGGINS: My little boy had woken up and the announcements were coming relatively soon. And I handed him over to my wife and said, “Can you handle this please, so I can just go downstairs and watch?” Tim [Olyphant] was announced first, so I started screaming. And my wife said, “Please be quiet, I’m trying to get him back down!” So when I heard my name was called, I had to be really quiet. I couldn’t even celebrate, to be quite honest. But it was so unexpected.

And William, you’ve been nominated several times and won twice.

WILLIAM H. MACY: I remember the second time, we were lying in bed and the phone rang at a quarter to zero in the morning, and I turned to Felicity [Huffman, Macy’s wife] and I said, “Well, either a family member just died or I got nominated.”


What’s it like to actually hear your name called as the winner?

MACY: I’ll tell you this, and this is God’s honest truth: It’s better to win.

GOGGINS: Did you practice the speech? Did you have an idea what you would say?

People like to use the term “big break,” but when was the moment you first felt you’d really made it as an actor?

GOGGINS: For me it was “The Apostle.” I was 24 years old and getting an opportunity to work with Robert Duvall. It changed my life. He called me with the news, and I saved that message for as long as I possibly could. Duvall was amazing. The first day, we were in Lafayette, Louisiana, and we went out to dinner and I didn’t say anything the entire time. I just looked down at my plate. I didn’t want to get fired or say something stupid like “Hey! I like ‘The Godfather’!”

FILLION: Would you consider him a mentor?

GOGGINS: Absolutely. I was at that age where I was extremely impressionable, and I finally got up the courage after being with him for a month to say, “How do you do it, man?” And he just said, “I don’t do anything. I just play pretend. A child’s game.” Which just fucking floored me.

You can check out the interview in full over at

Emmys 2012: TV’s Supporting Players Talk Ensemble Work, Geek Out at THR’s Photo Shoot

It’s late May in Hollywood and 25 of TV’s Unsung Heroes have gathered at Siren Orange Studios in Los Angeles for The Hollywood Reporter’s supporting actor/actress photo shoot.

But to see the stars from series including The Walking Dead, Game of Thrones, Justified, Mad Men, Burn Notice, Suburgatory, The Big Bang Theory, Smash and more interact, the mood was more like a fan convention.

Justified’s Walton Goggins made a beeline for Game of Thrones’ Kit Harington, where the two debated who’d fare best on their respective series. “I’d want a really big sword, I’d have one day on the call sheet because I would take some people down! But I’d be killed right away,” Goggins laughed. “I’d walk onto your show with my sword and just get shot point blank!” the man also known as Jon Snow retorted.


Gallery Link:
Photo Sessions > Session #010

Post Archive: