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Your only news source for all things on actor Walton Goggins.

Category: Articles

Quentin Tarantino’s ‘Hateful Eight’ Gets Release Date

Hateful Eight is storming into theaters on Christmas Day.

Quentin Tarantino’s newest film is set for a limited debut on Dec. 25 in 70mm format and will hit theaters nationwide on Jan. 8 in digital release, The Weinstein Co. said on Friday.

The Civil War-era Western joins a crowded holiday frame that includes Dec. 25 wide releases for Sony’s Will Smith NFL drama Concussion, Warner Bros.’ Point Break remake and Open Road’s Oliver Stone-directed drama Snowden. And Disney’s Star Wars: The Force Awakens will be continuing its run after a Dec. 18 debut.

Tarantino wrote and directed Hateful Eight, which includes Samuel L. Jackson, Bruce Dern, Demian Bichir and Jennifer Jason Leigh among its cast. The filmmaker’s last drama, Django Unchained, opened on Dec. 25, 2012, en route to earning more than $400 million globally and a best picture Oscar nomination.


‘Justified’s’ Walton Goggins to Star in HBO’s ‘Vice Principals’

Congratulations Walton!

4th Annual Critics' Choice Television Awards - Red Carpet HBO has found Danny McBride’s other vice principal.

Justified star Walton Goggins has nabbed the co-lead in HBO’s straight-to-series comedy Vice Principals, The Hollywood Reporter has learned. Additionally, Boardwalk Empire alum Shea Whigham — currently co-starring on ABC’s Agent Carter — will return to HBO with a supporting role in the comedy.
Created by Eastbound & Down duo McBride and Jody Hill, Vice Principals tells the story of a high school and the people who almost run it, the vice principals. McBride stars as Neal Gamby, the divorced vice principal in charge of discipline at the school.

Goggins, who is currently wrapping the final season of FX critical darling Justified, will co-star as Lee Russell, the vice principal of curriculum at Lincoln High who is a conniving politician that enters into an unholy alliance with Gamby.

Goggins — who earned an Emmy nomination for his role as Justified’s Boyd Crowder, has also recurred on FX’s Sons of Anarchy. Vice Principals will mark his first series regular gig in a comedy series. His upcoming feature slate includes The Hateful Eight and This Is All of Us, which he also exec produces. He’s repped by ICM Partners and Darris Hatch Management.

Whigham is set as Ray Liptrapp, the new husband of Gamby’s ex, and frequent target of his hostility — despite being a genuine and supportive guy. Whigham, who played Eli Thompson on Boardwalk, is recurring on ABC’s midseason Marvel drama Agent Carter. He also recently did two episodes of HBO’s True Detective and has feature credits including The Wolf of Wall Street, American Hustle and Silver Linings Playbook. He’s repped by CAA, DBA and Morris Yorn.

Source: hollywoodreporter

‘Sons of Anarchy’: Walton Goggins talks Venus and Tig’s heart-to-heart

Make sure you check out Walton’s interview in full over at – It’s a wonderful and insightful read. 🙂

EW: Venus and Tig’s heart-to-heart follows Jarry and Chibs’ combative love scene. It made me realize that while I understand Jarry’s and Chibs’ motivations as characters, I don’t want to relate to their volatile relationship. And then you have Venus, who is the most singular person on the show, and yet at this point, she really is the most relatable. What did you see in that conversation between Venus and Tig?
I’m just blown away that you said that, and I know Kurt [Sutter] would be blown away as well and very grateful for that comment. I think that there’s something about two people that are looking for love from an honest and truthful place that is extremely appealing. Vulnerability that is not trying to be used in some manipulative way is something that we’re all attracted to and that we aspire to, I think, whenever we’re able to truly let our guards down. And that’s really what that is: It’s not gender specific. It’s more than a man and a woman, or a man and a man, or a woman and a woman. It’s just about two human beings who need to be seen, and that’s what Kurt wrote. He gave both of these people the words to articulate how they feel. When I read it, I just thought I’ve never really seen honesty in that way, with what is a perceived way of life that would be unacceptable to another person. Venus is understanding of that, and in some ways, accepting of the limitations of that kind of commitment from another person. And she is graceful enough to let him out, but she was also vulnerable enough to say, “But I let myself believe in it, and I do believe in it. And I’m not a fool for allowing myself space for that emotion. I’m a better person for it.” Because she was able to say that, Tig came around. I mean, I’m gonna cry right now talking about it. It was so organic and so beautiful, and that comes from the mind and really from the heart of Kurt Sutter.

I assume it was scripted for you to not use Venus’ voice in that scene since Tig, at the end, asks to hear her lilt again. Is that the case?
That was Kurt, and that was in the stage directions. Paris Barclay directed this episode. Paris has been a friend of mine well over 18 years. He did episodes of The Shield. I did a movie for him back when I was like 23 years old called The Cherokee Kid. I did NYPD Blue with Paris. I’ve known Paris for a long time. Obviously I’ve known Kurt for a very long time. And Kim I’ve known for a while. That it was this collaboration between these people who have been in each other’s lives just made it all the sweeter. It was just about creating the space for this to happen. In that moment, Paris said, “Walton, I think you have to even go deeper without Venus’ voice.” Which was so strange for me because I don’t look at it as “Venus’ voice,” that’s just the way she talks. To think about her sounding other than how she sounds, that was hard for me. It was really difficult. It was like, okay, let’s bring it down, and then it just made it even sweeter for me. I think it made it sweeter for Kim as Tig.

When we walked into do it and rehearse it, I’d just gotten back from filming a movie in Canada. I’d been back for not even 24 hours. I got off the plane, went home and slept, woke up six hours later to start the process. By the time we got to start shooting [the conversation], it was like six o’clock at night. We’d done the other stuff beforehand, and Kim really wanted to approach the making love scene in the montage in a very certain way. He was absolutely right, and I thought that was beautiful. And then [Venus] coming out of the shower, I really talked to Tracey [Anderson], our makeup artist, about where we are in the stage—what is right and what’s not right. And we did that scene, and Paris staged it so that Venus was looking in a mirror at herself at the end. For me, all the sudden for the first time, Venus is looking at herself and judging herself. She’s looking at herself for the first time through another person’s eyes, not through her own. And what she sees is not how she sees herself. It’s something less than perfect. And that f–kin’ broke my heart.

So by the time we get to the scene, we walked in and everybody was really quiet. We sat down to rehearse it with Paris, who Kim and I trust implicitly, and it’s all right there. I turned to Paris and said, “Can you shoot this at the same time?” And Paris said, “Absolutely. That’s exactly what we’re gonna do.” Paris set it up so there was a camera on both of these people as they were going through this emotion‚ and I say “these people” in third person because I don’t believe that I was there or Kim was there—it was them. It was their relationship. And Paris just let the camera roll. He came in and tweaked us as needed, and that was it. We did it maybe three times total. It was so pure and so without ego and so not result-oriented. It was just outside of all of us: Just let these two people heal one another, and then let’s walk away. It was one of the most cathartic experiences of my life as an artist.

First look at Venus Van Dam’s return to ‘Sons of Anarchy’ — No matter how dark things get on FX’s Sons of Anarchy, just remember that Venus Van Dam is on the way. The transgender escort played by Justified‘s Walton Goggins makes her return in the Sept. 30 episode when SAMCRO, in need of information, pays her a visit. As fans know, the cast lights up any time her name is mentioned, and Goggins feels that each time he steps on set.


“I really do, and it’s weird. Because I personally, Walton Goggins, don’t feel that—I feel it as Venus,” he says. “Venus feels it and recipocates that with her boys—all the guys on the show. She just considers them brothers, like seeing family that she hasn’t seen in a while. They’re so kind and so gentle to Venus. It’s so refreshing. There’s no competition, there’s just enjoyment on all sides.”

Venus, who was introduced in season five and returned in season six, will also appear in the final ride’s 10th episode. As creator Kurt Sutter told EW, “We find out what’s been going down off-screen between Venus and Tig [Kim Coates]. It’ll be our love story for the season.”

Walton Talks Venus’ Major Comeback with TVLine & TVGuide

Check out what Walton had to say about the more serious side of his Sons of Anarchy alter-ego, Venus Van Dam!

TVLine: Venus’ story was much more serious this time around. Was the energy on set different than it was last season?
Yeah, it was. First and foremost, it was more than just one day; it took place over the course of three weeks because it was two episodes. Sustaining that and living in that headspace was a little more challenging — for myself as much as it was for my wife! [Laughs] She kept saying, ‘Where are my shoes?’ Both Kurt [Sutter] and I weren’t interested in repeating what we’d done last season and it would have done a disservice to Venus. If we were going to do it again, we wanted to see another side of her and to see the tragedy in her life and the pain that she’s been living with — and also how that can impact the larger story that is Sons of Anarchy. So, I was just over the moon with what Kurt and his writers came up with. I’m a new parent, I have a three-year-old son, and regardless of your sexual orientation, the idea of having to hide who you are or not to participate in the things that I’ve been able to participate in as a parent? It’s heartbreaking. It was very personal to me and very personal to Kurt. We both are in love with her. I don’t stop thinking about Venus, and as soon as I took those high heels off, I wanted to put them right back on. She’s a very courageous, very flawed, very strong woman — or let’s shoot right past that and say [that she’s a strong] person in the world.

You share such incredible chemistry with Kim Coates. How did the Venus/Tig relationship come to fruition?
First off, I’m such a fan of Kim Coates. Everything he does is grounded in reality and he’s such a good actor that it was a pleasure to have these discussions before [we shot] and to really talk about, ‘What is this? Really, what is this?’ What I was so surprised about was that there was no sexuality in that moment at all. He was putting his arm around a person and comforting that person when they needed to be comforted. It takes a lot to earn that and I thought what Kim did there was amazing. Now, I don’t know what happens when they go home! That’s another episode. [Laughs] But in that moment it was not about Venus Van Dam as a transgender and Tig as a biker; it was about two human beings that are looking at this very difficult situation and one supporting another. It’s beautiful. [Continue Reading]

TVGuide: This episode required a much different performance than last time. What was that like for you?
I think the most important thing is seeing past just what she does for work. I liked piercing the veil of who this person is outside of what she does for a living. When she goes home at night, what’s that like? What are the regrets in her life? And how has she dealt with those and how have those regrets reverberated throughout her life? What I was so excited about when I got the script was how immediate this situation had come up in her life and she really had nowhere else to turn. And for a woman who, more often than not, has the answers, she only had questions and she didn’t quite know what to do.

And it wasn’t just cold-blooded murder. She was trying to spare her son the same horror she went through.
It’s a matter of breaking the cycle. And sometimes breaking the cycle of violence requires an act of violence. Hopefully on the other side of that, once you cross that rubicon, you walk in greener pastures. I think that’s what it was like for Venus. She’s eternally grateful for Jax for doing something that she could never do. It solves a lot of problems. It solves more problems than it creates.

So. is this the last we’ve seen of Venus?
[Laughs] I wouldn’t be surprised if you saw her again. We’ll see what happens to Jax and all the boys and how these stories intersect. I wouldn’t think it out of the realm of possibility.[Continue Reading]

Justified Season 4 Finale Post Mortem – Index Post

Check out snippets of what Justified show-runner Graham Yost had to say about the season four finale and what’s to come in season 5! Plenty more under the cut!

They show up to the spot and find police have already found the body. Instead of leaving, Boyd goes up to talk to Officer Mooney (William Gregory Lee), which I thought was a surprising choice.
He’s Boyd. They can’t arrest him for just driving. So he’ll just go up. His relationship with Mooney has been on and off. It seemed like a smart way for him to find out more.

Boyd then decides to use Mooney and Lee Paxton (Sam Anderson), whose funeral home serves as storage for law enforcement, to help him switch bodies so it’s not Delroy’s body that was found.
That came out of the room. What would Boyd try to do? Okay, so, they’ve got Ellen May, she could testify, but if they don’t have a body, then the case might fall apart. So let’s take care of the body and get it out of there. We can’t? Okay, where is it? We’re still not done yet. It’s just that Boyd sense of he’ll always keep working a problem until it’s absolutely impossible to do so. And believe you me, at the beginning of next season, we’re gonna see him continue to work the problem. How can he get Ava out of jail? And what will he do in order to accomplish that?

Boyd and Jimmy digging up the grave for a replacement body was a surprisingly fun scene with Jimmy falling through the coffin.
Those guys in a graveyard at night, in a potter’s field, digging up a corpse, stuff comes up. I don’t know exactly the origin of Boyd’s run about who that is in the ground. The little behind the scenes thing is Jesse Lukens, on one take, when his foot went through, he actually damaged his foot quite badly. At the cast party, he was on crutches. He was in real pain. But we use that on Justified — if a character’s in real pain, we use it.

While that’s happening, Boyd is driving Raylan to the airport for the meeting. That’s another crucial scene that’s all dialogue.
That scene had a lot of talk between the writers, and Tim, and Walton. What can we get out of here? Tim is always interested in being clear that Boyd is a bad guy, but as he basically says, “You’re a white supremacist, you’re leading a church out in the woods. Who are you, and what do you really believe in? So if you say you love this woman [Ava], how is that different from all the other stuff that you’ve said?” Of course, Boyd maintains that it is different. We wanted to play up that dynamic, and then the whole notion of Boyd going at Raylan is something that we’d established pretty nicely in the opening of episode 10 when he says, “Raylan, you are an asshole, you should have been an outlaw.” And that just goes back thematically to Raylan and Arlo: Who is Raylan? How much is he like Arlo? Is he really just Arlo with a badge?

Continue reading over at EW.COM

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