Is there any chance of a Justified reboot or return? I don’t know if there are any reboots in production, but…we’ve talked about [continuing], and what that would be like. We’ve had conversations. But, it was such a fulfilling end to that journey, I think it would have to be real special for our showrunner, Graham Yost, to want to do that.
But with him or with Tim [Olyphant], I would be there, in a moment’s notice. It’s really hard to lay Boyd Crowder down and it’s hard to lay down the relationship that I had with Tim’s character, Raylan Givens. You know, I even miss saying the name…”Hello, Raylan.”
The way you just rolled it off your tongue… such relish, such fire. It meant a lot of different things at different times. It’s like, how many meanings does Sam Jackson have for “motherfucker?” It’s the same thing for “Raylan Givens.”
It would be really hard to improve on the final line, “we dug coal together.” Which was such a perfect, poetic end for a show that never tried to be fancy with its storytelling, but got to the heart of this very unique relationship. Absolutely. It wasn’t a world that was supposed to be fancy. Raylan doesn’t talk very much. He’s taciturn by nature, whereas Boyd Crowder is an eloquent, poetic killer. And a charmer.
Speaking of men who aren’t that fancy, we start the second and final season of Vice Principals with Lee having finally ascended to the throne at the school. The king! The king of all kings! [laughs] The biggest office in the building.
And he’s also remade the school in his image, which is really something. Yes, like America, know what I’m saying? [laughs] I’m joking. Yes, he has remade the school in his image, because you know, he’s a narcissist. I’m surprised he didn’t put up more mirrors.
I really like the painting [an over-the-top one of Lee that I won’t spoil here] that he has in the office. That’s one of my favorite production touches. [laughs] Me too man! When they wrote that, I just had no idea what they would really look like, and then they showed them to me for the first time, and I just could not stop laughing. But they only showed me one at a time, because in the story something happens, and there’s a new painting installed in the principal’s office. And it’s even funnier and more perfect than the first one.
How would you describe Lee’s sense of style in general? Whimsical. One of a celebration, just a rainbow of joy and happiness. Sarah Trost was our wardrobe designer, and I think it’s the first time she ever worked with Danny. And I’ll never forget the first day that I met her, and the conversation that ensued, and what she pulled out of her case. As wardrobe designers do, she fundamentally dialed into what Lee was going to be for me. I think Danny would say the same thing about her.
You know, we know a lot of people in the South—both Danny and I, and Jody and David for that matter [Editor’s Note: Jody Hill is co-creator, director and executive producer of the show, and David Gordon Green is a director and executive producer on the show; both are frequent collaborators with McBride]—that you don’t know whether they’re gay or they’re straight. You know, they’re these effeminate kind of guys in the South that are so lovely, they’re so wonderful, and this was kind of an amalgamation of a few of those people that I knew. Continue reading