Real heroes. Not actual size. Marvel Studios’ Ant-Man and The Wasp is In theaters July 6th.
Real heroes. Not actual size. Marvel Studios’ Ant-Man and The Wasp is In theaters July 6th.
HollywoodReporter.com — Andy Garcia and Walton Goggins are joining the cast of Words on Bathroom Walls.
Molly Parker is also joining the LD Entertainment project, which is set to star Charlie Plummer and AnnaSophia Robb.
Based on Julia Walton’s debut novel, the feature will follow high schooler Adam (Plummer) as he navigates life while living with paranoid schizophrenia and battling wild hallucinations, and undergoes an experimental drug trial that promises to help hide his illness from his peers.
Garcia will play Father Patrick, the kind and unexpectedly witty priest at Adam’s private high school, while Parker will play Adam’s single mother and Goggins her partner.
Thor Freudenthal will direct from a script by Nick Naveda. Mickey Liddell and Pete Shilaimon will pordcue for LD Entertainment, which is also financing the project.
Garcia, who will next be seen in Paramount comedy Book Club, is repped by CAA and Brillstien. Goggins is set for Disney/Marvel’s Ant-Man and the Wasp and is repped by ICM and Darris Hatch. Parker, who is repped by CAA, Canada’s Red and Circle of Confusion, can currently be seen on Netflix series Lost in Space.
LAMag.com — It was the winter of 1991 when Walton Goggins arrived in Los Angeles at the invitation of a manager he’d met in Atlanta (his hometown is nearby Lithia Springs) while working on an episode of In the Heat of the Night. As soon as he set foot in the woman’s Hollywood apartment—he recalls it being on Poinsettia Place—she presented him with a contract to sign. He put her off by asking for a tour of Hollywood Boulevard, and then broke it to her that he wasn’t prepared to sign any paperwork. She told him to get out. It was late, so he negotiated a night on her couch, which she agreed to as long as he hit the bricks first thing in the morning. At the crack of dawn, he gathered his belongings and caught a taxi to an audition that wouldn’t start for hours.
“I got there at 7 o’clock, 6:30 in the morning for a 10 o’clock appointment, and just sat out on the bench with all my shit,” he recalls. “That was my first 24 hours in this city, and ever since then [L.A. has] given me so much more than it’s taken away from me, and I’ve become the person that I’ve become because of this town.”
Goggins, now 46 and recognizable for starring roles in everything from Justified to the new Tomb Raider reboot (not to mention his pathos-rich turn as sociopathic school administrator Lee Russell on HBO’s Vice Principals), tells the story over sips of a gin concoction he mixed behind the bar in his new Arts District headquarters. In late 2016, he and friend-partner Matthew Alper, a first Assistant Camera man with dozens of film credits, launched Mulholland Distilling, a liquor brand that aspires to capture the “spirit of L.A.” Alper is a second generation Angeleno, raised on the Westside, and Goggins considers himself a transplanted native, which seems fair given the lukewarm welcome he endured to live and thrive in the city.
Last month, they quietly introduced the Mulholland Room, a second-story loft they intend to be a physical extension of the brand and its identity. In theory, it’s their office. It’s a tasting room. It’s a space for private and not-so-private events (eventually). It’s a place for people to get together and share ideas. Alper calls it a “salon.” Goggins calls it a “watering hole of sorts.” In practice, it’s the airy, gorgeous living room of your L.A. dreams, complete with a fully stocked bar and some really nice art on the walls.
“I think branding in 2018 is the opposite of branding, do you know what I mean? I don’t think that you wear a T-shirt with Mulholland Distilling on it anymore,” Goggins says. “It’s really about well, no. We’re here right now, and let’s pour a beautiful cocktail, and let’s sit and talk. I think our goal was to cultivate an experience where people could come and bond and share ideas, really, regardless of where you are in your life or what your occupation is.”
Currently, it’s accessible via text message to a number on a card being handed out by Alper and Goggins to friends and friends of friends. In the future, they envision opening it up for some more public gatherings, like an industry night, where bartenders can come, hangout, and experiment behind the bar.
Goggins’s personal aesthetic is represented in nearly every detail of the space. Amid the cushy, vintage sofas and chairs are pieces from the actor’s own collection, including a French club chair he bought when he started getting real work 20 years ago. The wall opposite the bar features a large-scale painting by Goggins’s friend Danny Fox; near the entryway, there’s also a Wes Lang painting of Willie Nelson and Stefanie Schneider photographs of the desert on L.A.’s outskirts.
The cool, inviting marble-topped bar is the heart of the space. Mulholland’s spirits—a New World gin, a whiskey, and a vodka—are distilled elsewhere, but finished to their specifications. The whiskey is distilled in Indiana, and then transported to Kentucky where it is blended with a high rye bourbon, so it’s 94 percent corn, four percent rye, and two percent barley. “It’s sweet up front and caramel-y, and then has a nice rye spice finish and a little bit of heat at the end,” Alper says. “Just to remind you that you’re drinking whiskey.” The vodka, made from non-GMO corn so it’s gluten free, is distilled six times, which gives it a sweeter flavor; a higher proof gives it a softer mouth-feel. The gin is the standout. Finished with notes of lime, lavender, and Japanese cucumber, it’s simultaneously fruity, herbal, and vegetal, without being alienating to people who don’t normally drink gin.
Alper refers to them as “egalitarian spirits.” They’re accessible in terms of taste, and they’re relatively inexpensive, too.
“That’s the whole thing,” Alper says. “It’s a reflection of who we are. I think it’s accessible, it’s delicious; the bartender’s really attracted to it because it’s new and different. People who’ve never had it before are attracted to it because it’s not scary and it’s not some off-the-path sort of thing.”
Goggins adds, “It’s not the greatest whiskey you’ve ever had in your entire life, and it’s not meant to be. It’s meant to be accessible but beautiful, and a very high quality.”
For more info or to host a private event at the Mulholland Room, contact them via their website.
Deadline.com — Walton Goggins didn’t just walk into the role of Lee Russell in HBO’s Vice Principals. Instead, it took him years to land the part. The series, co-created by Jody Hill and Goggins’ co-star Danny McBride, earned Goggins a best supporting actor Critics’ Choice Award. It wrapped its two-season run at the end of last year.
The dark comedy series centered on Neal Gamby (McBride), a prickly high school vice principal who teams with his rival Russell against the new principal who took the job they both wanted.
Goggins said Sunday during Deadline’s The Contenders Emmys event that he always wanted to work with McBride, but it took a while to find the right project. “I actually went in and I auditioned for a role on Eastbound & Down,” Goggins said of McBride’s previous HBO series.
While Goggins didn’t get that part, he did make a lasting impression on McBride. “A couple of years later, I was doing The Hateful Eight and he reached out and said, ‘I have this role and I want you to do it.’”
Goggins said it was a project he won’t soon forget.
“It was bittersweet to say goodbye to it,” Goggins said. “It was an incredible experience.”
Gainesville.com — Though he’s been acting on TV and in film for close to three decades, his name — Walton Goggins — doesn’t immediately conjure up a face. But once that one-of-a-kind face is seen, he’s quickly recognized. TV viewers know him as the shifty Boyd Crowder on “Justified” and, more recently, as the nasty Lee Russell on “Vice Principals.” On the big screen, some of his choice roles have been in “Django Unchained,” “Lincoln” and, most notably, as Sheriff Chris Mannix in “The Hateful Eight.” For his newest film, “Tomb Raider,” he gets to play the villainous, yet complex, mercenary Mathias Vogel, who goes up against the tough and feisty Lara Croft — a character that originated in a video game, was first played onscreen by Angelina Jolie, and is now portrayed by Alicia Vikander.
Goggins was raised outside of Atlanta, started dabbling in acting at 15 when he landed a part in the TV show “In the Heat of the Night,” spent a short time at Georgia Southern University, then at age 19, headed to Los Angeles to try his luck in show biz. Now 46, he’s still there. It’s where he recently spoke about his career and “Tomb Raider.”
Q: Did you have a tough time once you got here?
A: I was very lucky, man. I started working immediately, in little parts here and there. I also started a valet parking company as soon as I got here. I kept doing that and put all my money away, and then I sold the business. I never wanted to be a celebrity, and I’m not a celebrity. I just wanted to be good at at least one thing in my life, and that was telling stories because I so enjoyed doing that.
Q: What’s the first thing you do when a new script comes into your hands?
A: I try to absorb the information and be quiet. Without criticism or judgment, I just turn myself over to what this writer is trying to say. I just read it as a story, and just look for how I feel at the end of it. So, it’s contingent on the story. By the end of the story, even if it’s with flaws — because I don’t know anything that ISN’T flawed. Thank goodness for flaws! — I just ask myself, can I help my director tell this story?
Q: Did you and the film’s director, Roar Uthaug, have much discussion about how to play Vogel before filming began?
A: Roar and I had a conversation early on where I said, “I really love this, man, and I think it’s different, it’s not your usual kind of fare. I can only imagine what Alicia might do with this, and aside from wanting to play in that sandbox with her, I think I can give you something that’s different, if you let me.”
Q: You’ve now worked with so many different directors. Do you have to approach your craft differently with each one?
A: I think I’m a relatively adaptable guy. But the answer to your question is yes, and no. Look, with Quentin Tarantino (“Django,” “Hateful”), my process is whatever his process is. Yet he allows for MY process, as he allows for Sam Jackson’s or Kurt Russell’s or Tim Roth’s, or any of the people who have worked with him. And I have a very specific way, man. I’m alone, I’m pretty quiet, and I’m just off to the side. Because I love it, so that aspect of my process really doesn’t change. But if you’re working with a first-time director on an independent movie, and you can help them, it can be about, “I’m trying to help you win, and I want to win, so how do we tell the story that you want to tell and the story that I want to tell?” So that changes.
Q: You said that you wanted to be good at telling stories. Walton is certainly an unusual first name. What’s the story behind it?
A: Well, I’m Walton Sanders Goggins, Jr. My grandfather was one of the most important figures in my life, and I asked him that question. I said, “Where does my name come from?” He said, “Your father, because you’re a junior.” I said, “I know that, obviously, but take me back further.” He said, “It’s my middle name: Lawrence Walton Goggins.” I said, “OK, take it back even further.” And he said, “OK, here’s the truth, my name was actually Weldon, and I was made fun of by all of the kids in my class. When I was a kid in school, they would constantly ask, ‘How do you like your steak … Weldon?’ (big laugh). He told me that he was so traumatized by that childhood bullying that he changed it to Walton. (pause) I don’t know that I’ve ever told that story.
“Tomb Raider” opens on March 16.