Apr 16, 2019

Photos: Season 2 Launch Of FOX Drama ‘Deep State’

Apr 16, 2019

Photos: Season 2 Launch Of FOX Drama ‘Deep State’

On April 9th, Walton was photographed attending the Season 2 Launch of Deep State with his fellow cast of the show in London, England. The second season premieres April 28th at 9PM on EPIX in the United States and May 9th on FOX UK in the United Kingdom.

You can check out photos of Walton from the event below:

Mar 5, 2019

Walton Goggins To Headline CBS Comedy Pilot ‘The Unicorn’ As It Reverts To Single-Camera Format

Mar 5, 2019

Walton Goggins To Headline CBS Comedy Pilot ‘The Unicorn’ As It Reverts To Single-Camera Format

Deadline.com — Justified and Vice Principals alum Walton Goggins has been set at the lead of The Unicorn, CBS’ half-hour comedy pilot from Fam co-executive producers Bill Martin and Mike Schiff, Kapital Entertainment and CBS TV Studios.

The projectoriginally developed as a single-camera, was picked up to pilot as a multi-camera. It underwent conversion and tapped veteran multi-camera helmer James Burrows to direct. Now The Unicorn will be reverting to its original single-camera format with a new director. It is the only single-camera comedy pilot at CBS this season; all others are multi-camera/hybrid.

Written by Martin and Schiff and inspired by a true story, The Unicorn centers on a recent widower (Goggins) who is eager to move on from the most difficult year of his life, only to realize he’s utterly unprepared to raise his two daughters on his own and equally unprepared for the dating world — where, to his shock, he’s suddenly a hot commodity.

Goggins’ character, a devoted father to two adolescent girls, is a big-hearted open-book of a guy, but without his wife, he’s finding himself at sea. When his friends persuade him to start dating again, he discovers to his shock that he’s kind of a hot commodity — if only he knew what the heck he was doing.

Goggins, who was pursued for multiple pilots this season, earned an Emmy nomination for his co-starring role on FX drama series Justified and also had a major role on History’s Six. On the comedy side, he starred on the HBO series Vice Principals, landing a Critics’ Choice Award last year. This is the second consecutive CBS/CBS Studios pilot for Goggins, who starred in the well-received drama L.A. Confidentiallast season. He also guest starred last season on CBS’ top comedy series The Big Bang Theory.Martin and Schiff executive produce with Kapital Entertainment’s Aaron Kaplan, Dana Honor and Wendi Trilling — who has a pod deal at Kapital — and Ant-Man and the Wasp director Peyton Reed. CBS TV Studios is the studio.

Goggins is the star and executive producer of the upcoming eight-episode second season of the espionage drama Deep State, which airs on Epix in the US. His recent feature credits include Tomb Raider and Ant-Man and the Wasp. Goggins, who next will be seen in Them That Follow, which premiered at Sundance, is repped by ICM Partners and Darris Hatch Management & Production.

Feb 22, 2019

Video: ‘Deep State’ Returns With Walton Goggins; First-Look At Second Season Of Fox Networks & Epix’s Political Drama

Feb 22, 2019

Video: ‘Deep State’ Returns With Walton Goggins; First-Look At Second Season Of Fox Networks & Epix’s Political Drama

Deadline.com — Deep State is back and this time it’s even more political. The drama, which was Fox Networks Group Europe & Africa’s first original drama, returns this spring with Justified and Vice Principals star Walton Goggins and you can see the first clip from the show above.

The series, which is produced by Endor Productions, will air on Epix in the U.S. on April 28 and will air on Fox in the UK and across 50 countries in Europe and Africa in early May.

The second season of the show, which was commissioned by FNG and acquired by Epix, will delve deeper into the murky and political world of the deep state.

Having failed in the Middle East, those powers are now turning their attention to sub-Saharan Africa and the scramble to plunder its natural resources. This is the first dirty war over clean energy. The series will also explore the origin stories of some of our favorite characters from season one alongside witnessing the fall of a hero and orchestrating the making of a terrorist in the eyes of the West.

Goggins plays Nathan Miller an ex-CIA operative, to ensure that a deal between the U.S. government and Mali, one that would be enormously rewarding for the deep state is completed. However, the deal is suddenly plunged into jeopardy when three US special forces operatives and a Malian translator are ambushed and supposedly killed. His actions are thwarted when the Malian translator, Aïcha Konaté, played by Lily Banda, contacts Leyla, played by Karima McAdams, and informs her of the actual events surrounding her supposed death. Complicating matters for Miller are Meaghan Sullivan (Victoria Hamilton), a Republican Senator from Ohio, with an insatiable appetite for the uncovering the truth about the deep state and Aminata Sissoko (Zainab Jah), a senior advisor to the Malian President who is the deep state’s main obstacle in gaining a foothold in her country. Game of Thrones’ Joe Dempsie, The Night Manager’s Alistair Petrie and Damages’ Anastasia Griffith also return.

Deep State co-creator, writer, showrunner and director Matthew Parkhill said, “My ambition for Deep State was to create an intelligent, cinematic and political thriller; a modern-day story that reflects the turbulent times we are all living in. This year, we build on the established worlds of London and Washington from season one, and take our audience further behind the curtain of the deep state, introducing new characters and new territories – notably Mali and the epic landscape of the Sahara Desert, the land of the Tuareg people.”

Sara Johnson, VP, Scripted, FNG Europe & Africa and Executive Producer said: “Season One was a brilliant introduction to Deep State, and we could not have been more thrilled with the response. We are excited to return to this contemporary drama brand, which blends action and political intrigue with a strong moral core, to tell a complex story in a compelling way”.

Hilary Bevan Jones, Executive Producer with Endor Productions, added, “It’s great to build on the ambitions and success of Deep State. Ranging from action packed desert sequences to emotionally charged stories we get to build on season one and grow an even bigger audience with season two. I have massive admiration for Matthew Parkhill and his team of writers, Producer Paul Frift and FNG Europe & Africa and the quality of their content.”

Jan 30, 2019

Photos: 2019 Sundance Film Festival Portraits

Jan 30, 2019

Photos: 2019 Sundance Film Festival Portraits

Check out these wonderful portraits of Walton with his Them That Follow castmates taken during the 2019 Sundance Film Festival.


Jan 30, 2019

Photos: Deadline Live Q&A with the cast of ‘Them That Follow’, The Vulture Spot, and Variety Sundance Studio at the 2019 Sundance Film Festival

Jan 30, 2019

Photos: Deadline Live Q&A with the cast of ‘Them That Follow’, The Vulture Spot, and Variety Sundance Studio at the 2019 Sundance Film Festival

On January 28th, Walton attended a handful of events with the cast of his film Them That Follow while attending the 2019 Sundance Film Festival. You can view the photos in the gallery now.


Jan 28, 2019

Photos: ‘Them That Follow’ Premiere & DIRECTV Lodge Party at the 2019 Sundance Film Festival

Jan 28, 2019

Photos: ‘Them That Follow’ Premiere & DIRECTV Lodge Party at the 2019 Sundance Film Festival

On January 27th, Walton attended the premiere of his film Them That Follow along with many of the films cast. Walton also attended the DIRECTV Lodge Presented By AT&T Hosted ‘Them That Follow’ Party the same day.


Jan 7, 2019

TVGuide: The Best Show I Watched in 2018 Went Off the Air Three Years Ago

Jan 7, 2019

TVGuide: The Best Show I Watched in 2018 Went Off the Air Three Years Ago

TVGuide.com — The end of the calendar year is a time for lists. In the world of TV criticism, it’s a time for lists that purport to rattle off the 10 best shows (or more!) of the year. As I tried desperately to remember 10 shows I watched this year that I would classify as being deserving of such accolades, I realized two things. First, I realized that the best show I watched in 2018 was actually Justified, which went off the air three years ago. And second, the first was true because 2018 was the year I finally gave up trying to stay current on the glut of new programming every network and streaming service was trying to shove into my eyeballs and just watched whatever the hell I wanted. So yeah, I rewatched Justified.

Let me tell you: It was liberating to return to the crime-ridden hills and hollers of Harlan, Kentucky, and spend time with U.S. Marshal Raylan Givens (Timothy Olyphant) and outlaw Boyd Crowder (Walton Goggins) instead of worrying about whether or not I was caught up on the newest TV show. It’s exhausting trying to consume everything on TV so you can stay relevant at parties or whatever. So while all my coworkers were obsessing over the emotional stories of The Haunting of Hill House, I was happily reliving the glory of the Bennetts and Drew Thompson. While they were talking about Chilling Adventures of Sabrina, I was thinking about this photo of Timothy Olyphant leaning in a doorway …

While they were all about [insert some other new show here], I was dreaming of buying cross-stitched pillows featuring some of Justified’s best asshole-related quotes, like the most iconic one below:

There’s not a living room in the country that wouldn’t be improved with those words stitched across the couch pillows, and you know I’m right.

But Justified was all too frequently overlooked when it was on. Developed for TV by Graham Yost from a short story by Elmore Leonard, the series aired on FX from 2010 until 2015, which means it unfortunately sometimes got lost among the Breaking Bads and the Mad Mens of the supposed Golden Age of TV. In fact, it only made a fruitful showing at the Emmys when Breaking Bad wasn’t eligible. And although Olyphant and Goggins were both nominated for their excellent work that year, it was just supporting actress Margo Martindale who walked away with a shiny statuette for her work in the show’s perfect second season. And yes, Martindale more than deserved that Emmy, but Justified as a whole deserved far more recognition than it actually received. This is why I sometimes shout “Justified was robbed!” into the void completely unprompted. This was a damn good TV show, and one that is far better than some of the shows airing now.

However, what I learned during my most recent rewatch (obviously this was not the first time I’ve rewatched Justified since it ended) is not just that Season 3 was Peak Raylan Sexiness or that there’s real, honest comfort in revisiting shows, but that the series and its story are universal. The obstacles the characters are all trying to overcome are familiar; even if you didn’t grow up in a small, corrupt town like Harlan, you can understand the overwhelming feeling of being trapped by your hometown and never leaving it alive. Even if you don’t support Boyd’s lawless actions, you can appreciate his clever mind and understand his drive. (Though I will probably never forgive him for what he did to Dewey Crowe.) Every character was drawn with such depth (the Crowes of Season 5 excluded) that you were empathetic toward them even if they were also technically a villain.

But what made Justified so successful was obviously the complex relationship between Raylan and Boyd, two men who not only dug coal together, but were also two sides of the same coin. Raylan could have easily ended up an outlaw instead of a lawman, and although it’s something he isn’t likely to forget, knowing this always made his scenes with Boyd, full of banter though they were, feel loaded and that much more electrifying. The series’ sense of humor was also one of the sharpest I’ve seen anywhere, which is notable mostly because Justified is ostensibly a drama series. But the show was littered with instantly iconic moments and quips and memorable back-and-forths that went down like the smoothest Kentucky bourbon. It is also responsible for what might be the single most badass line in TV history:

Near the end of the show’s final season, Raylan told Boyd, “I gotta admit, there’s a small part of me that’s gonna miss this when it’s over.” He said this after revealing that he was coming for Boyd and the two men exchanged some of their trademark banter. But in 2018, there’s no reason any of this has to be over. Even if there are great new TV shows debuting year after year — and there absolutely are — there are still plenty of old ones that are just as good, if not better. And there’s absolutely no shame in embracing those shows and the comfort they provide simply because there’s something bright, shiny and new out there. That’s why I will probably continue to rewatch Justified every year and fall in love with it over and over and over again.

Nov 17, 2018

Walton Goggins Reveals His Favorite Bars and Eateries for Hollywood Insiders

Nov 17, 2018

Walton Goggins Reveals His Favorite Bars and Eateries for Hollywood Insiders

The actor and co-owner of spirits brand Mulholland Distilling recommends his favorite L.A. haunts for every occasion, whether pitching a project or trying to feel right at home.

HollywoodReporter.com – Hey, everybody! Goggins here. THR has asked me to try writing a series of columns highlighting some of the hippest bars and restaurants in the City of Angels. I said, “If I can do it my way.” To which they said, ”Sure … yeah … OK … we think!”
A disclaimer: I own a spirits company called Mulholland Distilling along with my partner, Matthew Alper. We have an American whiskey, a New World gin and a vodka. They’re all award-winning and delicious. We hope you pick up a bottle. Some of the places I talk about serve Mulholland spirits, and some do not. OK, let’s do this.

To pitch a project

Where do you go for that meeting that can change your life? There are a number of places I could go to get my “yes” or “no,” but nine out of 10 times, I go to that mansion on the hill — yes, Chateau Marmont. There is something about the time it takes to walk up that long driveway, past the sitting area downstairs where the “cool” people smoke, and up those two flights of steps to the hostess stand that allows me to think, “I got this. I fucking got this!” It doesn’t matter if you get a table in the garden or inside one of the most romantic rooms in our city, you have the wind of the mighty Chateau at your back. I feel like I’m standing on the shoulders of the people that have been pitching and listening to stories in this hotel (once an apartment building) for almost 90 years. I feel a part of the history of this great exchange of ideas. That goes a long way when for a moment you step into that ring of vulnerability.

I always get a salad and fries, a sparkling water and a cappuccino with whole milk. I eat, small talk, eat and small talk until my lunch is finished, sink into the sofa, relax my shoulders, exhale and begin. If you get a “yes,” great, if you get a “no,” fuck it. I’ve had and given both. Regardless of the answer, you’ve had the chance to spend an afternoon in one of the most storied places in our city, the Chateau Marmont. Or the Chateau. Or, simply, the Chat!

To impress

Whenever I want to hang with an actor buddy or a director I want to impress, I take them to Manuela in the Arts District’s Hauser & Wirth building. If you haven’t been there, trust me, you’ll say, “Wow, I never knew this was here!” It’s beautiful, with a menu that will satiate the appetite of the most discerning Angeleno. It’s inside, yet outside, and quiet. It’s just what you need to dip into a long conversation about creativity. Ask for the Pearl (named after my partner’s daughter), made with our American whiskey, summer fig, vanilla bean, lemon and mint. Wish I was drinking one right now. Enjoy, enjoy, enjoy!

To feel right at home

Like all Angelenos, when I’ve been out of town working for a while, the thing I miss most (besides family and friends) is Mexican food. Nobody does it like Los Angeles. There are so many incredible places, but my go-to is El Compadre. It’s been in its original location on Sunset Boulevard for 45 years. I’ve been going for 20. In a world where everything is constantly changing, it’s nice to have a place that remains the same. I know everyone there — they’re like family. Nothing says, “You’re home, Goggins” like hot chips, a carne asada quesadilla and a flaming margarita!

Aug 31, 2018

‘Deep State’: Walton Goggins To Star In Season 2 Of Fox Networks Group’s Thriller

Aug 31, 2018

‘Deep State’: Walton Goggins To Star In Season 2 Of Fox Networks Group’s Thriller

Deadline.com — Justified and Vice Principals alum Walton Goggins will headline and executive produce the upcoming eight-episode second season of Deep State, I have learned. The spy thriller from Fox Networks Group Europe & Africa airs in 50 markets across the region.

Goggins will take over for Mark Strong, who starred in the first season. He will play Nathan Miller, a former CIA operative who now works in the private sector as a “Michael Clayton-like” fixer for the deep state. Also joining the series as new cast members are Victoria Hamilton (The Crown) as Meaghan Sullivan, a Republican U.S. senator who is determined to bring the illicit activities of the deep state to light; Lily Banda (The Boy Who Harnessed the Wind) as Aicha Konaté, a Malian aid worker intent on improving things for her country; and Shelley Conn (Liar), who plays Miller’s ex-wife.

Returning cast members for the second season include Joe Dempsie, Karima McAdams, Alistair Petrie and Anastasia Griffiths. Production takes place in South Africa, Morocco and the UK, with Season 2 set to premiere globally in 2019.

Co-created, directed and written by Matthew Parkhill (Rogue), Deep State is described as a grounded, visceral thriller that moves between the deeply personal story of a family man fighting to escape his past and the violent, dark excesses of government and global corporate power.

The first season centered on Max Easton (Strong), an ex-spy whose past comes back to haunt him when he’s summoned away from his new life in the Pyrenees by George White (Petrie), head of covert MI6/CIA team called The Section. White convinces Max to return to the field to avenge the death of his estranged son Harry. But the stakes are soon raised when Max finds himself at the heart of a covert intelligence war, immersed in a widespread conspiracy to profit from the spread of chaos in the Middle East.

The second season will expand and delve deeper into the murky world of the deep state. Having failed in the Middle East, those powers now are turning their attention to Sub-Saharan Africa and the scramble to plunder its natural resources. This is the first dirty war over clean energy. The season also will explore the origin stories of some of our favorite characters from Season 1 alongside witnessing the fall of a hero and orchestrating the making of a terrorist in the eyes of the West.

“At the heart of this project is this major new character, Nathan Miller (Goggins), an ex-CIA agent, who now acts on behalf of the deep state,” said showrunner Parkhill. “Our aim for the show is to move beyond the first season, expanding the shadowy world of the deep state and encourage viewers to delve deeper into how it goes about ruthlessly achieving its goals.”

The show, produced by Red Arrow’s Endor Productions, also airs on U.S. network Epix and has been sold to broadcasters including SBS in Australia, NBCUniversal in France, Super Channel in Canada, TVNZ in New Zealand and DRTV in Denmark.

Aug 24, 2018

‘L.A. Confidential’: Efforts to Find CBS Pilot a New Home Fail

Aug 24, 2018

‘L.A. Confidential’: Efforts to Find CBS Pilot a New Home Fail

HollywoodReporter.com — Lionsgate TV and New Regency’s take on the James Ellroy novel was eyed at CBS All Access but a deal could not be reached. There will be no eleventh-hour rescue for one of pilot season’s most promising dramas.

Efforts to find a new home for L.A. Confidential, originally developed for but passed over by CBS, have failed. The drama, based on the James Ellroy novel and subsequent feature film, had been eyed to land at CBS All Access, the subscription service from co-producers CBS Television Studios. However, following extended talks, a deal ultimately could not be reached.

Sources say Lionsgate TV, who produced the pilot alongside New Regency and CBS Television Studios, may have asked for a higher licensing fee than the SVOD home had expected. Others maintain that finances had little to do with it — given CBS All Access’ financial commitment to Star Trek: Discovery and the franchise’s other forthcoming series. What’s more, CBS All Access already has period drama Strange Angel, which is set in the 1930s.

L.A. Confidential revolved around three homicide detectives, a female reporter and an up-and-coming actress whose paths intersect while the detectives pursue a sadistic serial killer among the secrets and lies of glamorous and gritty 1950s Los Angeles. The drama, starring Brian J. Smith (Sense8) and Walton Goggins and written and exec produced by Jordan Harper (Gotham) and showrunner Anna Fricke, came in well but was considered darker than the traditional CBS fare. CBS All Access was considered a likely new home for the drama as co-producers CBS TV Studios continues to make a splash in streaming.

CBS picked up five new dramas for the 2018-19 broadcast season: Dick Wolf’s FBI, military drama The Code (which is undergoing recastings), Greg Berlanti and Ava DuVernay racial drama The Red Line, light drama God Friended Me (also from Berlanti) and a reboot of Magnum P.I.

Lionsgate TV and CBS TV Studios declined comment on L.A. Confidential.