I’ve added high quality episodic stills from the show in addition to promotional artwork and promos to the gallery.
I’ve added high quality episodic stills from the show in addition to promotional artwork and promos to the gallery.
Hi everyone! I’ve taken the time to add the remaining screen captures of Walton from EPIX’s original series Deep State which ended its second season finale this July. You can check out over 1,000 HD screen captures in the gallery now.
I also had a chance to replace the first four episodes with higher resolution screen captures as well. Enjoy guys!
Collider.com — From co-creator/showrunner/writer/director Matthew Parkhill, the Epix drama series Deep State is a fast-moving espionage thriller that follows what happens after U.S. Special Forces are killed in an ambush in Mali, leaving it up to operative Nathan Miller (Walton Goggins) to find answers and resolve the situation, and to keep things business as usual in Washington, D.C. However, all is not as it seems, and it rarely is when it comes to the deep state, politics and government conspiracies.
During this 1-on-1 phone interview with Collider, actor Walton Goggins talked about the appeal of a project like Deep State, the challenges of making a solid thriller that spans three countries, understanding his character, why every day was a challenge, and what makes him and showrunner Matthew Parkhill soul brothers. He also talked about reuniting with Danny McBride for the HBO series The Righteous Gemstones (premiering in August), the heartbreak over the L.A. Confidential pilot ultimately not getting picked up, his upcoming half-hour comedy series The Unicorn (premiering in the fall on CBS), and which directors he’d love to work with.
Collider: This is definitely one of those exciting, edge-of-your-seat thrillers, where you wonder who’s going to make it out, by the end.
WALTON GOGGINS: I’m just so grateful for the opportunity, and for the invitation to come play on this kind of global experience. Matthew Parkhill, whom I’m now a very big fan of, both personally and professionally, was enamored with The Shield. It was one of his favorite shows. And also, Syriana is one of his favorite films. He is influenced by all of these stories that weave these multiple threads, and have these dense character arcs that overlap and intersect with one another. When he set out to do this, it’s very different than Season 1, and he wanted to layer in an origin story for the people that were there, from the beginning, and introduce this character, and then have him continue in the story. It’s very difficult to pull off something like that, but I think he did it. I was just so grateful and on board for whatever he had in his imagination.
It’s difficult to pull off a good thriller, and to make sure that the ending is just as good as the beginning.
GOGGINS: Yeah. And in some ways, the second season of any show, more often than not, is when you get the opportunity to broaden the definition of what a show is and can become, at least in my experience with both The Shield and Justified, although I think the first season of both were so unbelievably satisfying. And I feel that way about Deep State, and what it’s trying to say in Season 2. Season 1 was really about discovering that the Deep State exists, and Season 2 is about, “Okay, then what exactly is the Deep State? What are their motivations? How do they work? What becomes of the people that represent those institutions?” That’s where I got really excited. There’s a price to pay, morally, physically, emotionally and spiritually, for being an ambassador of institutions that ostensibly run the world,. That’s what you’re going to see, for this experience, from Nathan Miller.
It’s really interesting storytelling that we get to learn about your character and this team across two timelines, running concurrently throughout the season. You get to watch where he’s come from while seeing what he’s currently dealing with. Do you feel like that helps give the viewer an understanding of his motivations and actions, seeing those two timelines together?
GOGGINS: Yeah, I do. I think one would say that about themselves. If you explore a person two years ago, and you explore a person today, on the other side of a significant event in one’s life, you would be able to understand them more deeply. While that requires the viewer to be invested and on a level that is not unexpected really in today’s television landscape, it does give you a real interesting perspective on why a person has become who they’ve become, and it lets you do that pretty quickly. For the characters that I’ve had an opportunity to play in television, that’s taken six or seven years to reach those conclusions. By the end of this season, whatever you think of Nathan Miller, you will have a sped up timeline in which to view who he is and his place in the world, and that’s also for every single character in this story.
This is a show that was shot on location across three countries, and that also did a stint in the Sahara Desert. What’s the experience like, shooting something like this, in all of those places?
GOGGINS: For me, I have always wanted to be a part of a political thriller that intersected cultures, economics, and diverse interests from different groups. I haven’t gotten to play Jason Bourne in a movie, so for me, it was a dream come true. This is a story that takes place in three different countries, and there are seven different languages, with people from all over the world and one American, which is me. To step into that kind of sandbox is something that I’ve always wanted to play in, and it’s a show that’s not just made for a U.S. audience. It’s really made for all of the constituents that FOX International has, around the world. It has something for everyone. There are pebbles that are dropped into a lake, that make a very small wave, but that can turn into a tsunami. All of those waves intersect to bring about a change, which is sometimes for the greater good, and sometimes not for the greater good.
It seems like this was a shoot that was pretty high intensity with a lot of tension among the characters. Was there a hardest or most challenging day on this shoot? Were there days that were particularly challenging, especially depending on what locations you were in?
GOGGINS: Every day was challenging, and every day was exhilarating. Matthew Parkhill is a person not so different than myself. I think we’re soul brothers, in the way that he doesn’t like stages or sets that are built. He likes the reality of being in any given location. That really stimulates him. And so, when you don’t have the comfort of at least having a home base, and you’re moving every single day, for upwards of five months, that’s a challenge. That’s a challenge for the cast, the crew, and the directors. Matthew Parkhill created and wrote the show, and he directed half of it. And then, this wonderful British director, Joss Agnew, came onboard to direct the other half. And we had two DPs, Nic Lawson and Nick Dance, with all of the challenges that they faced. We all grew very tight, and it was about communicating in all of these different places. Some crew was there the whole time, but the crews changed, depending on which country we filmed in. It was an extraordinary struggle, really. It’s baffling that we were able to pull this off, for the budget that we pulled it off for, and all the while saying something that I think is really personal. It’s personal to me, I know it’s personal to Matthew Parkhill, and I think it’s personal to everyone involved.
I was so very thrilled to learn that you’d be reuniting with Danny McBride for The Righteous Gemstones because it would have been tragic, if you weren’t a part of that show. When and how did you find out that he wanted you to be a part of that series?
GOGGINS: He’s one of my best friends. Our experience together on Vice Principals formed a friendship that will last for the rest of my life, for sure. We talk all of the time, and we’ve been talking about this, for the better part of a year. For Danny, it was just figuring out, “Okay, well, how do we do this again? How do we do it in a way that isn’t repetitive of how we did it during Vice Principals? How do we fit in this story?” I won’t say much more than that. Suffice it to say, we’ve been talking about it for a long time, and when he found it in his magical imagination, it was perfect. He said, “I want you to play a 67-year-old man.” I said, “Damn, Danny, really? You want to sit in a make-up chair for how fuckin’ long?!” But, it worked and I’m so unbelievably happy. I am thrilled for this experience and what’s happening. It is so goddamn funny and so poignant, and it will cause a stir, in the way that Danny, Jody [Hill], and David Gordon Green do. They make big waves. There’s no place that I would rather be. It’s a real spiritual home for me, being with those gentlemen. Continue reading
HiddenRemote.com — Walton Goggins is one of the most tremendous actors of our generation, but Deep State may be his best performance yet.
Goggins joined the EPIX drama this season to portray fixer Nathan Miller, and he has brought so much to the international series. He’s carefully unraveled Miller, showing a man whose mission may be on a global scale, but has tremendous personal consequences. As the series tackles some big issues, Goggins has brilliantly zeroed in on the human collateral damage.
Ahead of tonight’s new episode, he spoke with Hidden Remote about following in the footsteps of the talented Mark Strong, how he’s worked with the cast and crew to craft Miller’s story and how Deep State compares to his previous roles on series like Justified and The Shield.
Learn more in our interview with Walton Goggins below, then don’t miss a new episode of Deep State tonight on EPIX at 9 p.m. ET/PT. You can find how to watch EPIX here.
Hidden Remote: Deep State is such an underrated show, and it’s different in that it’s an international production, too. What was it about the series that made you sign on to star in season 2?
Walton Goggins: I have always wanted to be a part of a world like this. I’ve always wanted to explore politics on a global level and the way the world works, or a hypothetical of how the world works. I’m a big fan of a filmmaker out of the UK called Adam Curtis, and it just kind of makes you think about the world we live in—the flow of money, and the confluence of different interests and different points of view.
I thought that Matthew Parkhill, our creator, what he had done with the first three scripts that I read was unbelievable. How are you doing that? How are you pulling that off? He was a big fan of The Shield, actually, which [is] always a good thing when somebody likes your work and I liked the way his mind works. So when they asked me to come on board, I said yeah, I’ll go wherever you want me to go.
I’m a better man for it. I’m a better human being for it. We had an incredible experience. It’s something to be part of a show that takes place over three countries, seven different languages, and you’re the only American involved. That’s pretty cool.
HR: The first season had its own story and some, though not all, different characters. So did you watch season 1 or did you want to treat season 2 as its own separate entity?
WG: I’m a huge fan of [season 1 star] Mark Strong and a lot of the other actors; Alistair Petrie, I’ve followed his career for a really long time. And I felt that it was really necessary to understand [the] tone and Matthew, what his visuals are like and how his language is interpreted visually.
So that’s always important to do that…It was important to understand what the story was—and then to throw all that away the best you can and do your own version of it.
HR: Nathan Miller is a man who is on top of his game, but it’s also taking its toll. What would you say people need to know or look for about your character as we get further into Deep State season 2?
WG: The term “deep state” has become part of pop culture. The Illuminati has been around for however long for as long as they’ve been around, and this is a person who works for this organization and is a fixer for this organization. Ihe process of doing that, he will become morally compromised, and he will become spiritually compromised, and he will become physically compromised.
If you like tension and you are attracted to deep character development, then I don’t think you’ll be disappointed. I certainly wasn’t as an actor. I hold these stories up to a high standard to be involved in, and I’m really satiated and satisfied with how every percent of this story evolves over the course of the eight episodes.
I think it’s extraordinary, really. It’s hard to pull off a show that takes place in three different countries and seven different languages, it’s very difficult to do that with two different timelines, and I think we did it.
HR: You’re no stranger to playing complicated, often morally grey characters. How does Miller compare to people like Shane Vendrell from The Shield or Boyd Crowder on Justified?
WG: It’s right up there with them. It’s in that race, all the way up to the last thing that Miller says in this story. [That]’s as profound and personal to me as any last words of any character that I’ve ever been given an opportunity to play. It reverberated at the room at the time. It was so deeply emotionally impacting.
It’s one of the greatest experiences of my life, and I would say that about a lot of experiences I’ve had. I’m a very lucky man. I’ve been given great opportunities over the course of my career, and this is another one.
HR: Deep State has so many layers, whether it’s the secrets that come out as a spy thriller or the many facets of your character. Did you want or need to know the entirety of the arc going into filming?
WG: I’m at a place in my career where that’s imperative. I don’t want surprises. I don’t want secrets. I’m not a person that lives his life that way, and so I need to know everything. What I mean by that is if [there] happens to be a discussion that happens before the finale is written, I want to have that discussion.
What I try to do, and I think what a lot of people I look up to really try to do, is be emotionally pure—that it is an authentic point of view. Iit’s not contrived or gratuitous, but it is inherent to the emotional and spiritual journey this person I’m playing would go through. This show was no different.
And I like collaboration. I think I’m a really good collaborator and I let whoever I’m working with know that up front, and Matthew really liked my ideas. Once he told me exactly what he wanted to say, I trust him and I trust the people I work with, but we talked about the finale of this show and four or five different options for what he wanted to say from the very beginning. As long as we say something at the end of five months of experience.
I think my time is very valuable. [This is] time I’ve taken away from my child and my family, my friends, my wife. So it better be for a reason that I can say to my child that this is what I was doing. This is why your father was away. Matthew is a person that wants to say something, and he did it.
HR: How do you look back on the experience of Deep State season 2?
WG: I came into this world. It was already set up when I came into it. And all of the other actors on this show—Alistair Petrie and Joe Dempsie and Karima McAdams and Anastasia Griffith—these are incredible actors who have an incredible story that they’re also protective of and it unfolds for them how it unfolds for them.
But I suppose for me and Nathan Miller, that there is a price to pay for compromising oneself morally. I hope that it will be as emotionally impactful to the audience as it was for me, because it came from the heart of the people that created this experience in the first place.
I’ve added HD screen captures of Walton as Nathan Miller from the fourth episode of EPIX’s original series Deep State. You can check those out in the gallery below:
I’ve added high definition screen captures of Walton as Wade from the first official trailer of his CBS comedy ‘The Unicorn’ into the gallery. While you’re there be sure to check out the first episodic stills from the pilot episode as well.