Sep 19, 2017

Vice Principals: 2×01 ‘Tiger Town’ Captures & Episodic Stills

Sep 19, 2017

Vice Principals: 2×01 ‘Tiger Town’ Captures & Episodic Stills

I’ve added 200+ HD captures and high quality episodic stills of Walton from the season two premiere episode of Vice Principals into the gallery.


Sep 18, 2017

Walton Goggins Pushes Back At Critics & Talks Season 2 Of ‘Vice Principals’

Sep 18, 2017

Walton Goggins Pushes Back At Critics & Talks Season 2 Of ‘Vice Principals’

Is there any chance of a Justified reboot or return? I don’t know if there are any reboots in production, but…we’ve talked about [continuing], and what that would be like. We’ve had conversations. But, it was such a fulfilling end to that journey, I think it would have to be real special for our showrunner, Graham Yost, to want to do that.

But with him or with Tim [Olyphant], I would be there, in a moment’s notice. It’s really hard to lay Boyd Crowder down and it’s hard to lay down the relationship that I had with Tim’s character, Raylan Givens. You know, I even miss saying the name…”Hello, Raylan.”

The way you just rolled it off your tongue… such relish, such fire. It meant a lot of different things at different times. It’s like, how many meanings does Sam Jackson have for “motherfucker?” It’s the same thing for “Raylan Givens.”

It would be really hard to improve on the final line, “we dug coal together.” Which was such a perfect, poetic end for a show that never tried to be fancy with its storytelling, but got to the heart of this very unique relationship. Absolutely. It wasn’t a world that was supposed to be fancy. Raylan doesn’t talk very much. He’s taciturn by nature, whereas Boyd Crowder is an eloquent, poetic killer. And a charmer.

Speaking of men who aren’t that fancy, we start the second and final season of Vice Principals with Lee having finally ascended to the throne at the school. The king! The king of all kings! [laughs] The biggest office in the building.

And he’s also remade the school in his image, which is really something. Yes, like America, know what I’m saying? [laughs] I’m joking. Yes, he has remade the school in his image, because you know, he’s a narcissist. I’m surprised he didn’t put up more mirrors.

I really like the painting [an over-the-top one of Lee that I won’t spoil here] that he has in the office. That’s one of my favorite production touches. [laughs] Me too man! When they wrote that, I just had no idea what they would really look like, and then they showed them to me for the first time, and I just could not stop laughing. But they only showed me one at a time, because in the story something happens, and there’s a new painting installed in the principal’s office. And it’s even funnier and more perfect than the first one.

How would you describe Lee’s sense of style in general? Whimsical. One of a celebration, just a rainbow of joy and happiness. Sarah Trost was our wardrobe designer, and I think it’s the first time she ever worked with Danny. And I’ll never forget the first day that I met her, and the conversation that ensued, and what she pulled out of her case. As wardrobe designers do, she fundamentally dialed into what Lee was going to be for me. I think Danny would say the same thing about her.

You know, we know a lot of people in the South—both Danny and I, and Jody and David for that matter [Editor’s Note: Jody Hill is co-creator, director and executive producer of the show, and David Gordon Green is a director and executive producer on the show; both are frequent collaborators with McBride]—that you don’t know whether they’re gay or they’re straight. You know, they’re these effeminate kind of guys in the South that are so lovely, they’re so wonderful, and this was kind of an amalgamation of a few of those people that I knew. Continue Reading →

Sep 16, 2017

Video: Walton Goggins & Danny McBride Talk ‘Vice Principals’ Season 2 with TV Guide Magazine

Sep 16, 2017

Video: Walton Goggins & Danny McBride Talk ‘Vice Principals’ Season 2 with TV Guide Magazine

Sep 15, 2017

Danny McBride and Walton Goggins on Vice Principals Season Two, Edgy Comedy, and Why the Show Is a ‘Cautionary Tale’

Sep 15, 2017

Danny McBride and Walton Goggins on Vice Principals Season Two, Edgy Comedy, and Why the Show Is a ‘Cautionary Tale’

“At this very specific moment in America, do we really need to be laughing at two white dudes having so much fun trying to destroy a black woman?,” my colleague Jen Chaney wrote in her review of Vice Principals last year. I get it. I almost quit too. During its first season, the HBO comedy’s embodiments of toxic masculinity, Neal Gamby (Danny McBride, who co-created the show with frequent collaborator Jody Hill) and Lee Russell (Walton Goggins), did everything they could to undermine and terrorize Dr. Belinda Brown (Kimberly Hebert Gregory), all because they felt entitled to the principal job that she earned. In an early episode, they even burn down her house, but I actually found certain actions later in the season harder to stomach. I won’t spoil them just in case you want to catch up. Because I think you should. If you can.

After seeing much of Vice Principals season two, which was entirely directed by David Gordon Green instead of Hill, who directed season one, I can say it’s definitely worth it. As McBride explained to me, season one was about building a certain tension, about delaying judgment, and season two is the release. It’s Judgment Day. Even the people who like the first season said it was fascinating but laughless; that isn’t the case anymore. Vice Principals definitely feels like a comedy this time around and a special one at that. After watching an episode where Gamby, forced to substitute teach A.P. History, flails while trying to explain the Reconstruction period, I remembered feeling lucky that I stuck with it. In era of binge-watching, it is a rare experience, but by forcing the audience to sit in its discomfort, the payoff on the other end is magnified.

McBride still isn’t sure how he feels about it, though. He wanted to tell a different kind of comedic story, but he’s aware that doing so means that people who might have appreciated Vice Principals will never finish it. Ahead of Sunday’s season-two premiere, McBride and Goggins discuss the show’s unique structure, why they don’t want you to feel sympathetic for Gamby and Russell, and what a story conceived of a decade ago means under a Trump presidency.

There was a certain criticism in early reviews that it was unclear if the show was indicting the actions of these characters. And I felt that as I watched the show in real time, but then it all clicked with that final shot of season one, pun intended, with Gamby bleeding out on the pavement. The indictment came, but you wanted to give the audience the experience of sitting in that feeling as long as possible.

Walton Goggins: [Clapping] Well done, you.

DM: Our hope was to use people’s knowledge of what they’ve seen in other movies and shows against them, presenting these guys like they’re the heroes, and instantly, in the second episode, having them burn down their boss’s house. It keeps you, as an audience member, not sure of what you’re rooting for or what you want to have happen. It’s why we didn’t make it as a feature: In an hour and a half, we felt like you could see the writing on the wall, but spreading it out over 18 episodes, you’re allowed to take these detours and explore other characters and it suddenly makes you feel conflicted about where it’s heading. The type of comedy Jody and I have created before is not stuff you can give to a test audience. The average person isn’t necessarily going to gravitate towards it, and I think that’s because there’s a lot more going on than would appear.

It’s a give-and-take. Forcing people to watch it week over week and building that tension about the end goal is a more satisfying experience, but it means some people will lose out. A lot of both seasons is showing how bad these characters’ home lives are. How do you walk a line of explaining their behavior, but not necessarily justifying it?
DM: Ultimately, we’re not asking the audience to show sympathy for these guys. We’re just presenting what their story is. That’s the thing that’s most frustrating about these characters: You will see something in them that you might identify with, and then they still do shit you don’t want them to do. It’s not justifying behavior. It’s just making you frustrated at the way people are. It’s a character study, as much as Taxi Driver is on Travis Bickle. At the end of that movie you’re not like, “Man, isn’t he so sympathetic, these things he did?” It’s a fucked-up journey!

WG: I don’t wake up in the morning, judging this person. That’s not my job. I don’t have to fall in love with him or condone his behavior. My job has been around for thousands of years, man. I’m a storyteller and I try to look for stories that challenge me. For me, Lee Russell and Neal Gamby start off in such an emotional hole. They’re six feet under before they even step out of bed in the morning. I was just really, really curious about the source of this pain and their desire to share it with someone.

I was rewatching some press thing you guys did for the first episode, and it had a quote I hadn’t seen anywhere: “Vice Principals is a dark, strange, twisted tale about leadership, friendship, loyalty, and the fall of Western civilization.” 
DM: [Laughs.]

I was like, “He knew!” The show taps into a thing, coincidentally, that some might fear will lead to the collapse of Western civilization. Do you think as Southerners who’ve grown up more around certain people, you understand something that those in the Hollywood “bubble” might not?
DM: I don’t even think it has to be the South. It’s human nature. There can be a guy in the hills of L.A. or a guy in the hills of the Appalachian Mountains who act this way when they’re hurt, or don’t have what they need in life. I don’t know why, but we have been obsessed with the angry Southern man! Jody Hill and myself grew up in the South, and we’re proud of that, but we would’ve been considered the most liberal guys in the South. When you come to Hollywood, you’re considered conservative just because you’re from the South! And yet we went to art school! I didn’t hunt. I wasn’t into NASCAR.

WG: For example, I really don’t believe that the racial element was injected into the first season. I think that was an interpretation. It’s really more of a study of greed! Outside of this pain that these two guys obviously have from things that have happened in their life, it’s a narcissistic, unempathetic fucking nature that really can reflect our culture at times. Hopefully at the end of this, they’re going to be able to step outside of that and see what they truly can be and what they do need from other people.

Continue reading at Vulture.com

Sep 12, 2017

Video: Danny McBride and Walton Goggins Share Their Wildest Fan Stories on ‘Desus & Mero’

Sep 12, 2017

Video: Danny McBride and Walton Goggins Share Their Wildest Fan Stories on ‘Desus & Mero’

We talk to Danny McBride and Walton Goggins from HBO’s Vice Principals about being treated like their characters, typecasting, & wild fans.

Sep 11, 2017

Walton and Danny McBride Talk ‘Vice Principals’ with YahooTV

Sep 11, 2017

Walton and Danny McBride Talk ‘Vice Principals’ with YahooTV

Sep 3, 2017

‘Vice Principals’ Official Season Two Trailers: Who Shot Gamby?

Sep 3, 2017

‘Vice Principals’ Official Season Two Trailers: Who Shot Gamby?

Get ready for the final semester. Danny McBride and Walton Goggins star in Vice Principals Season Two — premiering September 17th on HBO

Jul 8, 2017

New ‘Vice Principals’ Season 2 Teaser Trailer is Fully Ridiculous

Jul 8, 2017

New ‘Vice Principals’ Season 2 Teaser Trailer is Fully Ridiculous

Dec 29, 2016

Walton Goggins on His Confused, Angry, and Desperate ‘Tomb Raider’ Villain

Dec 29, 2016

Walton Goggins on His Confused, Angry, and Desperate ‘Tomb Raider’ Villain

Walton Goggins is an actor who makes whatever he’s in better just by being there. Every film or TV series is improved when it has Goggins. It’s impossible to look at his work and not be a fan, and I’m glad he’s been able to find success over his career. Earlier this month, he landed arguably one of the biggest roles of his career thus far when he nabbed the villain role in the upcoming Tomb Raider reboot. Getting to play the antagonist in a blockbuster film is no small feat, and Goggins has already played some incredibly memorable baddies in his career.

Christina Radish recently spoke to Goggins about his upcoming History Channel series Six (which premieres January 18th), and during their conversation, he talked a little about what appealed to him about this new adaptation of the popular video game franchise:

The idea of a Tomb Raider reboot became interesting when Alicia Vikander was cast as Lara Croft, but it became even more interesting when you were announced as the villain, or antagonist. What was it about this telling of the Tomb Raider story that spoke to you?

GOGGINS: I’m just so excited about it! I’m such a big fan of Alicia and this director, Roar [Uthaug]. Quite honestly, the script feels like it’s already been in the world, in some ways. The structure and the foundation of this story is so solid and so interesting. It’s so unbelievably entertaining, and yet it’s real in the journey that it takes you on. And this person that I get to play is confused and angry and desperate. I’m just looking forward to getting in his head. I’m really, really, really excited about it.

Goggins then talked about what it is about villain roles that he finds so appealing, and he provided a thoughtful breakdown of how he goes about choosing any role, whether the character is good or evil.

When you play antagonists that are so memorable that they’re thought of alongside the story’s protagonist when people think of that particular TV show or movie, does it give you pause when the next one comes up?

GOGGINS: Yeah, I suppose. On one level, I think about it in those terms. In another way, I just go where the work is and where people are extremely passionate about telling their story and where they’re capable filmmakers, no matter how long they’ve been doing it. It’s about whether they understand what it is that they’re asking themselves to do and whether they really want to say something. That’s always been my motivation. This thing that I did after Six, Three Christs, I don’t know if there’s an antagonist in the bunch. Maybe schizophrenia is the antagonist, or maybe it’s how we view those that aren’t like ourselves. Maybe that’s the antagonist. It was just an incredible opportunity. And Tomb Raider is an incredible opportunity. People have only seen the first season of Vice Principals, but when you see where the show goes, there’s so much more than whether or not those are bad guys. That’s what I’m interested in playing, regardless of what side he’s on. I’ve had some opportunities lately to play the hero, and they just haven’t been about the right thing. They haven’t spoken to me, in that way. But Six certainly did, and Three Christs did, and lord knows that Tomb Raider did.

Goggins also talked about how it was a variety of factors that led to him signing on for Tomb Raider:

When Tomb Raider came your way, was it the script that sold you on it, or did you also wanted to talk to director Roar Uthaug first?

GOGGINS: It was threefold, to be quite honest with you. I think Alicia is one of the greatest actors of any generation, let alone her own. And I saw Roar’s movie The Wave last year, and I wanted to meet that filmmaker. And then, it was the script. It always starts with the story for me. I couldn’t believe I was reading what I was reading. I couldn’t believe that it continued in this way, and the ball was never really dropped. It was the combination of those three things. I understand why Alicia signed on for it. Those things don’t happen every day. And then, you go forward and you just try not to be result-oriented and you try to do the best job you can possibly do, before you move on to the next one. It’s a good life! I’m just grateful to be a small part of that life.
We’re still waiting on the first successful video game adaptation, and there’s no reason it can’t be Tomb Raider. It’s got two strong lead actors with Vikander and Goggins, Uthaug showed he had directing chops with The Wave, and if there’s a good script, it could make for a solid adventure film.

Tomb Raider opens March 16, 2018.

Source: collider.com

Jul 19, 2016

Vice Principals: 1×02 ‘A Trusty Steed’ Video Preview

Jul 19, 2016

Vice Principals: 1×02 ‘A Trusty Steed’ Video Preview